The curious timbres, expressive noises, and kinetic structures of my electroacoustic music explore the dramatic physicality of sound, shifting interpersonal dynamics, and associations with the familiar and the strange. The LAPhil's Green Umbrella series, Chicago Symphony Orchestra’s MusicNOW, Ensemble Dal Niente, Third Coast Percussion, Spektral Quartet, Weston Olencki, Nico Couck / Internationales Musikinstitut Darmstadt, Fonema Consort, and others have commissioned my music. I'm excited about coming-soon (and soon-to-be recent) projects with Lucy Dehgrae for Resonant Bodies Festival, WasteLAnd and RAGE, Distractfold Ensemble’s Linda Jankowska, Callithumpian Ensemble, and Yarn/Wire. I'm releasing new music this year with Michael Foster & Michael Zerang, Wet Ink, and Amy Cimini (as Architeuthis Walks on Land).
As a bassoonist and improviser, I amplify my instrument and employ a flexible electronics setup. My debut solo album garnered praise in The Wire (“Bassoon colossus”) and Downbeat (“seriously bold leaps for the bassoon”). Collaboration is central to my practice, and I perform regularly as a soloist, in ad hoc improvised groups, and with my long-standing ensembles Pretty Monsters, Architeuthis Walks on Land, and Till by Turning.
My dissertation - Nothing Is as It Appears: Anthony Braxton's Trillium J - completed for the DMA in composition at Northwestern University - documents and analyzes Anthony Braxton’s operatic project.
I am based in Chicago. As faculty at the School of the Art Institute of Chicago, I teach improvisation, electronic music, composition, and experimental practices in the Sound Department. In the music department at North Central College, I teach composition. I also offer private composition, improvisation, and bassoon instruction.