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Katherine Young

composer | improviser | sonic artist

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Press

“[I]n Young’s world all noise is emotional.”
— Tamzin Elliot, SF Classical Voice
“Bassoon colossus.”
— Philip Clark, The Wire
“[Spores] is by turns as dense as molasses, as light as air (with the musicians encouraged to vocalize their breath), and as freewheeling as a trip down the open highway.”
— Jim Farber, SF Classical Voice
““[I] you want music that will set your imagination reeling, Young and Scranton [as Beautifulish] are at your service.””
— Bill Meyer, Chicago Reader

Peter Margasak’s review of bridges between individual trees (Sideband Records)

SF Classical Voice review of Spores performed by LA Phil New Music Group

Reviews of Mycorrhiza I (with Olivia): Stolen Moments as performed and recorded by Olivia DePrato:

http://www.musicweb-international.com/Classrev/2022/Nov/I-A-M-80838.htm

https://van-magazine.com/mag/album-review-clarice-jensen/

https://tinyurl.com/y2bhj8t9

boundarymind (Carrier Records) review

Beautifulish (Shinkoyo/Artist Pool) review

Performance of Anthony Braxton’s Music at BBC Proms with the Scottish Symphony Orchestra and Ilan Volkov

Featured soloist on Jessica Pavone’s Clamor (Out of Your Head)

“Katherine Young Uses Noise to Teach Feeling” feature in SF Classical Voice

Aaron Cohen's Chicago Tribune

Ellen McSweeney's New Music Box profile

“Young’s compositional hallmarks—her visceral approach to sound; her organic use of repetition, structure, and pacing; her attentiveness to the smallest details of timbre; her adventurousness in using instruments in unexpected ways—made the work feel like a living thing, breathing and unfolding as the evening progressed.”
— New Music Box
“[A] sonically audacious record documenting the development of a bold young artist whose arresting improvisations are as remarkable as her engaging compositions.”
— Troy Collins, All About Jazz
“Seriously bold leaps for the bassoon.”
— Downbeat
“[R]aw, wailing, coloristic...[with an] organic sweep...”
— New York Times
“graveled crumbled strewn is a convincing realization of forceful earth moving processes experienced in close proximity.”
— New Classic LA
“[U]ndulating notes on the verge of exhaustion explore impressive multiphonics and stomach-gripping glissandos....”
— Touching Extremes
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photos by Deidre Huckabay

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